{"id":573,"date":"2016-01-14T14:10:51","date_gmt":"2016-01-14T19:10:51","guid":{"rendered":"http:\/\/szsolomon.com\/percdb\/?page_id=573"},"modified":"2020-05-05T00:34:07","modified_gmt":"2020-05-05T04:34:07","slug":"chamber-music","status":"publish","type":"page","link":"http:\/\/percdb.szsolomon.com\/chamber-music\/","title":{"rendered":"Chamber Music"},"content":{"rendered":"<div style=\"width:100%; height:100%;\">\n<iframe src=\"https:\/\/docs.google.com\/spreadsheets\/d\/e\/2PACX-1vQrXIZ439xcrZEgs6r8VpPFKA9Agnq67UbdWoaW8n0UIFw_UvQQ6iaB6eB-U8HWY8mHwv7x3tfmWrn_\/pubhtml?gid=0&amp;single=true&amp;widget=true&amp;headers=false\" width=\"100%\" height=\"500px\"><\/iframe>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"<table style=\"cursor: default; width: 100%;\" border=\"1\" cellspacing=\"0\" cellpadding=\"5\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 25%;\" width=\"25%\"><strong>Composer<\/strong><\/td>\r\n<td style=\"width: 25%;\" width=\"25%\"><strong>Title<\/strong><\/td>\r\n<td style=\"width: 12%;\" width=\"12%\"><strong># of Percists<\/strong><\/td>\r\n<td style=\"width: 12%;\" width=\"12%\"><strong>Total # of Players (if different)<\/strong><\/td>\r\n<td style=\"width: 25%;\" width=\"25%\"><strong>Description<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Abigana, Brett<\/td>\r\n<td>Modulation 6.1<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Adams, John Luther<\/td>\r\n<td>...dust into dust...<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 snare drums<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Adams, John Luther<\/td>\r\n<td>Quiyan<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 bass drums<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Adams, John Luther<\/td>\r\n<td>Red Arc\/Blue Veil<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piano, percussion, sound files<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Albert, Ludwig<\/td>\r\n<td>The Universe<\/td>\r\n<td>2<\/td>\r\n<td>orchestra<\/td>\r\n<td>Double marimba concerto with orchestra<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Alford, Travis<\/td>\r\n<td>Froschteichmusik<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Anderson, Leroy<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/anderson-the-typewriter\/\">The Typewriter<\/a><\/td>\r\n<td>5 (solo +4)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Solo typewriter with Perc Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andersson, Fredrik<\/td>\r\n<td>The Loneliness of Santa Claus<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andres,\u00a0Timothy<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/andres-crashing-through-fences\/\">Crashing Through Fences<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piccolo flute, glockenspiel, and 2 kickdrums<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andriessen,\u00a0Louis<\/td>\r\n<td>\u00a0<a href=\"http:\/\/percdb.szsolomon.com\/andriessen-hoketus\/\">Hoketus<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a013<\/td>\r\n<td>Two pianos, two Fender Rhodes electric pianos, two sets of panpipes, two saxophones, two electric bass guitars, and two conga players<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andriessen,\u00a0Louis<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/andriessen-hout\/\">Hout<\/a><\/td>\r\n<td>1<\/td>\r\n<td>4<\/td>\r\n<td>tenor saxophone, marimba, guitar and piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andriessen,\u00a0Louis<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/andriessen-life\/\">Life<\/a><\/td>\r\n<td>1<\/td>\r\n<td>6<\/td>\r\n<td>Sop. Sax (or clarinet), percussion,\u00a0Piano, guitar, Cello, Double Bass<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andriessen,\u00a0Louis<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/andriessen-workers-union\/\">Workers Union<\/a><\/td>\r\n<td>indeterminate<\/td>\r\n<td>2 or more<\/td>\r\n<td>any loud sounding ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andriessen,\u00a0Louis<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/andriessen-zilver\/\">Zilver<\/a><\/td>\r\n<td>2<\/td>\r\n<td>7<\/td>\r\n<td>Flute, Clarinet, Vibraphone, Marimba, Piano, Violin, Cello<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Andriessen,\u00a0Louis<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/andriessen-klokken-voor-haarlem\/\">Bells for Haarlem<\/a><\/td>\r\n<td>1 to 4<\/td>\r\n<td>4<\/td>\r\n<td>vibraphone\/glock, piano, keyboard, celesta<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Askill, Michael<\/td>\r\n<td>Lemurian Dances<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Aperghis, Georges<\/td>\r\n<td>Les Guetteurs de Sons<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bartok, Bela<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/bartok-sonata-for-two-pianos-and-percussion\/\">Sonata for Two Pianos and Percussion<\/a><\/td>\r\n<td>2<\/td>\r\n<td>4<\/td>\r\n<td>2 pianos, 2 percussionists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Beall, Andy<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/beall-rancho-jubilee\/\">Rancho Jubilee<\/a><\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>3 cajons<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Becker,\u00a0Bob<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/becker-mudra\/\">Mudra<\/a><\/td>\r\n<td>5 (solo + 4)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bergamo, John<\/td>\r\n<td>Piru Bole<\/td>\r\n<td>indeterminate<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bergamo, John<\/td>\r\n<td>Foreign Objects<\/td>\r\n<td>6<\/td>\r\n<td>7<\/td>\r\n<td>Percussion Ensemble + bass<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bergamo, John<\/td>\r\n<td>Grand Ambulation of the Bb Zombies<\/td>\r\n<td>5<\/td>\r\n<td>6<\/td>\r\n<td>Percussion Ensemble + bass<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Berio, Luciano<\/td>\r\n<td>Circles<\/td>\r\n<td>2<\/td>\r\n<td>4<\/td>\r\n<td>Mezzo Soprano, harp, and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bettison, Oscar<\/td>\r\n<td>Four Drums for Dresden<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 drumsets<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Beyer,\u00a0Johanna<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/beyer-iv\/\">IV<\/a><\/td>\r\n<td>9<\/td>\r\n<td>\u00a0<\/td>\r\n<td>indeterminate instrumentation<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Birtwhistle, Harrison<\/td>\r\n<td>For O, For O, the Hobby-Horse is Forgot<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bissell,\u00a0Paul<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/bissell-equal-fire\/\">Equal Fire<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Boulez, Pierre<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/boulez-sur-incises\/\">Sur Incises<\/a><\/td>\r\n<td>3<\/td>\r\n<td>9<\/td>\r\n<td>3 pianos, 3 harps, 3 percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Boulez, Pierre<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/boulez-le-marteau-sans-maitre\/\">Le marteau sans maitre<\/a><\/td>\r\n<td>3<\/td>\r\n<td>7<\/td>\r\n<td>Contralto and ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Boulez, Pierre<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/boulez-derive-i\/\">D\u00e9rive I<\/a><\/td>\r\n<td>1<\/td>\r\n<td>6<\/td>\r\n<td>Vibraphone, piano, flute, clarinet, violin, cello<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Boulez, Pierre<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/boulez-derive-ii\/\">D\u00e9rive II<\/a><\/td>\r\n<td>2<\/td>\r\n<td>11<\/td>\r\n<td>English Horn, Clarinet, Basson, French Horn, Marimba, Vibraphone, Harp, Piano, Violin, Viola, Cello<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Brettingham-Smith, Jolyon<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5810\">Doors of Perception<\/a><\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>First Construction<\/td>\r\n<td>6 + assistant<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>Second Construction<\/td>\r\n<td>4 (3+prepared piano)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/cage-third-construction\/\">Third Construction<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>Living Room Music<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>Amores<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>Imaginary Landscape No. 2<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>Credo In Us<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>Quartet<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>Trio<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage,\u00a0John<\/td>\r\n<td>But what about the noise of crumpling paper which he used to do in order to paint the series of \"Papiers froisses\" or tearing up paper to make \"Papiers dechires?\" Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests<\/td>\r\n<td>indeterminate<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cage\/Harrison<\/td>\r\n<td>Double Music<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cangelosi, Casey<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/cangelosi-platos-cave\/\" target=\"_blank\" rel=\"noopener\">Plato's Cave<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Casella, Jim<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5793\">Katraterra<\/a><\/td>\r\n<td>9<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Celli, Joseph<\/td>\r\n<td>Snare Drum for Camus<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>snare drum<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Chapman, Evan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/chapman-memory\/\">Memory<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 desk bells, playback<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Chavez, Carlos<\/td>\r\n<td>Toccata<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cirone, Anthony<\/td>\r\n<td>4\/4 for Four<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Condon, Owen Clayton<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/condon-fractalia\/\">Fractalia<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cowell, Henry<\/td>\r\n<td>Ostinato Pianissimo<\/td>\r\n<td>8<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cowell, Henry<\/td>\r\n<td>Pulse<\/td>\r\n<td>6 (5 plus assistant)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Cowell, Henry<\/td>\r\n<td>Refrain<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-an-idyll-for-the-misbegotten\/\">Idyll for the Misbegotten<\/a><\/td>\r\n<td>3<\/td>\r\n<td>4<\/td>\r\n<td>flute and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-music-for-a-summer-evening-makrokosmos-iii\/\">Music for a Summer's Evening, Makrokosmos III<\/a><\/td>\r\n<td>2<\/td>\r\n<td>4<\/td>\r\n<td>2 pianos, 2 percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td>Madrigals I-IV<\/td>\r\n<td>1<\/td>\r\n<td>5<\/td>\r\n<td>percussion, flute, harp, bass, soprano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-ancient-voices-of-children\/\">Ancient Voices of Children<\/a><\/td>\r\n<td>3<\/td>\r\n<td>9<\/td>\r\n<td>soprano, boy soprano, oboe, mandolin, harp, amplified piano (and toy piano), and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-songs-drones-and-refrains-of-death\/\">Songs, Drones, and Refrains of Death<\/a><\/td>\r\n<td>2<\/td>\r\n<td>6<\/td>\r\n<td>baritone, amplified piano\/harpsichord, electric guitar, electric double bass, 2 percussionists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-dream-sequence-images-ii\/\">Dream Sequence (Images II)<\/a><\/td>\r\n<td>1<\/td>\r\n<td>5<\/td>\r\n<td>Violin, Cello, 2 offstage glass-harmonica players, 1 percussionist<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-night-of-the-four-moons\/\">Night of the Four Moons<\/a><\/td>\r\n<td>1<\/td>\r\n<td>5<\/td>\r\n<td>1 Alto, 1 Alto-flutist (also playing piccolo), 1 banjo player, 1 electric cellist, 1 percussionist<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-mundis-canis-a-dogs-world\/\">Mundis Canis (A Dog's World)<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>guitar and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-quest\/\">Quest<\/a><\/td>\r\n<td>2<\/td>\r\n<td>6<\/td>\r\n<td>Guitar, soprano sax, harp, bass, 2 percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Crumb, George<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/crumb-lux-aeterna\/\">Lux Aeterna<\/a><\/td>\r\n<td>2<\/td>\r\n<td>5<\/td>\r\n<td>soprano, bass flute\/ soprano recorder, sitar, 2 percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Dahl, Ingolf<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5796\">Duettino Concertante<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>flute and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Daughtrey, Nathan<\/td>\r\n<td>Rock House Creek<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba and vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Daughtrey, Nathan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/daughtrey-strange-dreams\/\" target=\"_blank\" rel=\"noopener\">Strange Dreams<\/a><\/td>\r\n<td>1<\/td>\r\n<td>1<\/td>\r\n<td>Marimba and alto sax or clarinet<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Davidovsky, Mario<\/td>\r\n<td>Synchronisms No. 5<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble with tape<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>de Mey, Thierry<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/de-mey-musique-de-tables\/\">Table Music<\/a><\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>3 tables<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Deane, Christopher<\/td>\r\n<td>Vespertine Formations<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Denisov, Edison<\/td>\r\n<td>Concerto Piccolo<\/td>\r\n<td>6<\/td>\r\n<td>7<\/td>\r\n<td>saxophone with percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Denisov, Edison<\/td>\r\n<td>Three Pieces for Percussion<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Diaz, Javier<\/td>\r\n<td>Sakpata<\/td>\r\n<td>15<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble plus vocal\/drummer soloist and chorus of percussionists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Dicke, Ian<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/dicke-isla\/\">Isla<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>vibraphone, flute, electronic processing<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Dillon, James<\/td>\r\n<td>East 11th Street 10003 NYC<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Donatoni, Franco<\/td>\r\n<td>Darkness<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Druckman, Jacob<\/td>\r\n<td>Animus 2<\/td>\r\n<td>2<\/td>\r\n<td>4<\/td>\r\n<td>soprano, harp, 2 percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Druckman, Jacob<\/td>\r\n<td>Come Round<\/td>\r\n<td>1<\/td>\r\n<td>6<\/td>\r\n<td>violin, cello, flute, clarinet, piano, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Dutilleux,\u00a0Henri<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/dutilleux-diptych-les-citations\/\">Les Citations<\/a><\/td>\r\n<td>1<\/td>\r\n<td>4<\/td>\r\n<td>Oboe, Double Bass, Harpsichord, Percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Fischer, Jeff<\/td>\r\n<td>Blue Song\/ Plastic Dance<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble with 2 soloists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Firth, Vic<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/firth-encore-in-jazz\/\">Encore in Jazz<\/a><\/td>\r\n<td>7<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ford, Mark<\/td>\r\n<td>Stubernic<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>one marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ford, Mark<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ford-head-talk\/\">Head Talk<\/a><\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>drum heads<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Foss, Lukas<\/td>\r\n<td>Quartet for Percussion<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Gauger, Tom<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/gauger-portico\/\">Portico<\/a><\/td>\r\n<td>10<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Gauger, Tom<\/td>\r\n<td>Past Midnight<\/td>\r\n<td>10<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Gauger, Tom<\/td>\r\n<td>Gainsborough<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Gendall, Chris<\/td>\r\n<td>Hand to Hand<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ginastera, Alberto<\/td>\r\n<td>Cantata para America Magica op. 27<\/td>\r\n<td>13<\/td>\r\n<td>17?<\/td>\r\n<td>Dramatic soprano, two pianos, celesta, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Golijov, Osvaldo<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/golijov-mariel\/\">Mariel<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>cello, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Green, George Hamilton<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/green-rags\/\">Rags<\/a><\/td>\r\n<td>1 to 6<\/td>\r\n<td>open<\/td>\r\n<td>Xylophone solo with ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Greenstein, Judd<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/greenstein-ill\/\">Ill<\/a><\/td>\r\n<td>2<\/td>\r\n<td>4<\/td>\r\n<td>2 violins, drumset, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Grisey, G\u00e9rard<\/td>\r\n<td>Tempus ex Machina<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Grisey, G\u00e9rard<\/td>\r\n<td>St\u00e8le pi\u00e8ce<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Grisey, G\u00e9rard<\/td>\r\n<td>Le Noir de L'Etoile<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion with tape<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Griswold, Erik<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/griswold-strings-attached\/\">Strings Attached<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Gordon,\u00a0Michael<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/gordon-timber\/\">Timber<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>6 wood simantras<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Gubaidulina, Sofia<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/gubaidulina-in-the-beginning-there-was-rhythm\/\">in the beginning there was rhythm<\/a><\/td>\r\n<td>7<\/td>\r\n<td>\u00a0<\/td>\r\n<td>timpani solo with percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harder, Lane<\/td>\r\n<td>Circus Plenus Clamor Ingens Ianuae Tensae<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>6 players, 3 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harnsberger, Andy<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/harnsberger-coming-undone\/\">Coming Undone<\/a><\/td>\r\n<td>7<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Song of Queztecoatl<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Canticle #1<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Canticle #3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble with guitar and ocarina<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Canticle #5<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Bomba<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Concerto for Violin and Percussion Orchestra<\/td>\r\n<td>5<\/td>\r\n<td>6<\/td>\r\n<td>Violin solo with Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Concerto for Organ and Percussion Orchestra<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Organ, Piano, Celesta, and percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Drums of Orpheus<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Fifth Simfony<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Fugue<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>In Praise of Johnny Appleseed<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Simfony #13<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Suite<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Labyrinth #3<\/td>\r\n<td>11<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Waterfront<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Before piece to the Medea<\/td>\r\n<td>4<\/td>\r\n<td>6<\/td>\r\n<td>Horn, Soprano, 4 percussionists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Ominipotent Chair<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Xylophone, drums, bells, zither, bass<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>May Rain<\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>Voice, prepared piano, tam-tam<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>A Glyph for Katy Litz<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>prepared piano and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Majestic Fanfare<\/td>\r\n<td>2<\/td>\r\n<td>5<\/td>\r\n<td>3 trumpets, snare drum, bass drum<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Suite for Violin and Gamelan orchestra<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Double Fanfare<\/td>\r\n<td>12<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble with western and non-western instruments<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Tributes to Charon<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Music for Remy<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>oboe and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>First Concerto for Flute and Percussion<\/td>\r\n<td>2<\/td>\r\n<td>3<\/td>\r\n<td>Flute and 2 percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Conquest<\/td>\r\n<td>1<\/td>\r\n<td>4<\/td>\r\n<td>Flute or ocarina or recorder, piano, conch shell, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Counterdance in Spring<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>The Perilous Chapel<\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>cello, percussion, harp<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Varied Trio<\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>violin, piano, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Clay's Quintet<\/td>\r\n<td>1<\/td>\r\n<td>5<\/td>\r\n<td>Trumpet, cornet, mandolin, harp, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Songs in the Forest<\/td>\r\n<td>1<\/td>\r\n<td>4<\/td>\r\n<td>Flute\/piccolo, violin, vibraphone\/marimba, piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Rhymes with Silver<\/td>\r\n<td>1<\/td>\r\n<td>5<\/td>\r\n<td>Violin, viola, cello, piano, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Harrison, Lou<\/td>\r\n<td>Suite for 4 Haisho and Percussion<\/td>\r\n<td>2<\/td>\r\n<td>7<\/td>\r\n<td>4 Haisho, 2 percussionists, reader<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Herrera, Reynaliz<\/td>\r\n<td>Tres de tres para tres<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Higdon, Jennifer<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/higdon-on-a-wire\/\">On A Wire<\/a><\/td>\r\n<td>1<\/td>\r\n<td>6 + orchestra<\/td>\r\n<td>Ensemble solo with orchestra<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Higdon, Jennifer<\/td>\r\n<td>Splendid Wood<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>6 players, 3 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Holl\u00f3, Aur\u00e9l<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/hollo-jose-before-john-5\/\">Jos\u00e9 \/ beFore John 5<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Humet, Ramon<\/td>\r\n<td>Mantra II<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Templebowls<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Hurel, Philippe<\/td>\r\n<td>Kits<\/td>\r\n<td>7<\/td>\r\n<td>8<\/td>\r\n<td>Percussion Ensemble, electric bass<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Husa, Karel<\/td>\r\n<td>Drum Ceremony<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Husa, Karel<\/td>\r\n<td>Three Dance Sketches<\/td>\r\n<td>4 or more<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ignatowicz, Anna<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ignatowicz-passacaglia\/\" target=\"_blank\" rel=\"noopener\">Passacaglia<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba and vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-rhapsodie-a-sept\/\">Rhapsodie \u00e0 sept<\/a><\/td>\r\n<td>1<\/td>\r\n<td>7<\/td>\r\n<td>Clarinet, Basson, Cornet, Trombone, Percussion, Violon, Double Bass<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-suite-en-concert-pour-flute-et-percussion-or-concerto-for-flute-nr-2\/\">Suite\u00a0in Concert for Flute and Percussion<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>Flute and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-ceremonial-homage-a-e-varese\/\">C\u00e9r\u00e9monial (Homage \u00e0 E.Var\u00e8se)<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-heptade\/\">Heptade<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>Trumpet and Percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-petite-suite\/\">Petite Suite<\/a><\/td>\r\n<td>1<\/td>\r\n<td>7<\/td>\r\n<td>2 Violons, Viola, Cello, Double Bass, Piano, Percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-pipeaubec\/\">Pipeaubec<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>Recorder or Flute and small percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-suite-delphique\/\">Suite delphique<\/a><\/td>\r\n<td>3<\/td>\r\n<td>12<\/td>\r\n<td>Flute, Oboe, Clarinet, 2 horns, Trumpet, Trombone, Onde Martenot, Harp, Timpani, 2 Percussions<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jolivet,\u00a0Andr\u00e9<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/jolivet-une-minute-trente\/\">Une Minute-Trente<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>Flute or recorder and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Jones,\u00a0David P.<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5781\">Legal Highs<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>marimba & violin<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Kagel, Mauricio<\/td>\r\n<td>Rrrr...<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Kolm, Jonathan<\/td>\r\n<td>Cantogo<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Kondo, Jo<\/td>\r\n<td>A Volcano Mouth<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>3 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Koppel, Anders<\/td>\r\n<td>Toccata<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba, vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lampkin,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lampkin-george-washington-never-slept-here\/\">George Washington Never Slept Here<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piano and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lane, Peter<\/td>\r\n<td>Busker Fantasy<\/td>\r\n<td>5 (solo + 4)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lang, David<\/td>\r\n<td>The So Called Laws of Nature<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lang, David<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lang-table-of-contents\/\" target=\"_blank\" rel=\"noopener\">Table of Contents<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lansky, Paul<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lansky-threads\/\">Threads<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lansky, Paul<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5775\">Textures<\/a><\/td>\r\n<td>2<\/td>\r\n<td>4<\/td>\r\n<td>2 pianos, 2 percussionists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lang,\u00a0David<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lang-cheating-lying-stealing\/\">Cheating Lying Stealing<\/a><\/td>\r\n<td>3<\/td>\r\n<td>6<\/td>\r\n<td>bass clarinet, piano, percussion (marimba, snare, kick drum, 2 toms, anvil), 2 antiphonal brake drummers (w\/ triangles), violoncello<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lang,\u00a0David<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lang-lendlease\/\">Lend\/Lease<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piccolo and tuned woodblocks<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lang,\u00a0David<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lang-the-so-called-laws-of-nature\/\">The So Called Laws of Nature<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lang, David<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lang-these-broken-wings\/\">these broken wings<\/a><\/td>\r\n<td>1<\/td>\r\n<td>6<\/td>\r\n<td>Flute, piccolo, clarinet (w\/bass clarinet), violin, cello, piano, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>LaRosa, Christopher<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/larosa-sextet\/\">Sextet<\/a><\/td>\r\n<td>1<\/td>\r\n<td>6<\/td>\r\n<td>pierrot plus percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Levitan, Dan<\/td>\r\n<td>Marimba Quartet<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Levitan, Dan<\/td>\r\n<td>Conservatory Garden<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Levitan, Dan<\/td>\r\n<td>Variations on a Ghanian Theme<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Levitan, Dan<\/td>\r\n<td>Inventions<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ligeti, Gyorgy<\/td>\r\n<td>Continuum<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ligeti, Lukas<\/td>\r\n<td>Pattern Transformation<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lindsay, Eric<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/lindsay-towns-gonna-talk\/\">Town's Gonna Talk<\/a><\/td>\r\n<td>1<\/td>\r\n<td>6<\/td>\r\n<td>flute, bass clar, vioiln, cello, piano ,percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Little, David T.<\/td>\r\n<td>Speak Softly<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 sticks of varying bigness<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Little, David T.<\/td>\r\n<td>Shapeshifter<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Longshore, Terry<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/longshore-boom\/\" target=\"_blank\" rel=\"noopener\">Boom<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>bongos, toms, bass drum<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Macarez, Frederic<\/td>\r\n<td>Skatalask<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Snare drum solo with Perc ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>MacBride, David<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/macbride-timing\/\">Timing<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Mackey, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/mackey-slide\/\">Slide<\/a><\/td>\r\n<td>1<\/td>\r\n<td>8<\/td>\r\n<td>flute, clarinet, violin, viola, cello, electric bass, piano, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Mackey, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/mackey-it-is-time\/\">It is Time<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Mackey, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/mackey-micro-concerto\/\">Micro Concerto<\/a><\/td>\r\n<td>1<\/td>\r\n<td>6<\/td>\r\n<td>Percussion solo, with\u00a0Flute, Clarinet, Violin, Cello, Piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Makan, Keeril<\/td>\r\n<td>Gather<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Manoury, Philippe<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/manoury-last\/\">Last<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>bass clar, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Manoury, Philippe<\/td>\r\n<td>Le Livre des Claviers<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Manoury, Philippe<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/manoury-duo-for-marimbas-from-le-livre-des-claviers\/\">Duo de Marimbas (from\u00a0Le Livre des Claviers)<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Martincziow, Nikolas<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/martynciow-festa-per-due\/\">Festa per Due<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>drums<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Martino, Donald<\/td>\r\n<td>Cannon Ball<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>vibraphone, piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>May,\u00a0William<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5783\">Impromptu<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>marimba and clarinet<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Messerschmidt, Ted<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/messerschmidt-a-movement-for-a-short-attention-span\/\">A Movement for a Short Attention Span<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>marimba, piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>McCarthy,\u00a0Dan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/mccarthy-raz-draz\/\">Raz Draz<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>saxophone, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>McMullin, David<\/td>\r\n<td>Crossings<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>de Mey, Theirry<\/td>\r\n<td>Musique de Table<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>3 amplified tables<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Miki, Minoru<\/td>\r\n<td>Marimba Spiritual<\/td>\r\n<td>4 (solo + 3)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba solo with percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Moe, Eric<\/td>\r\n<td>down the stream, merrily<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Moe, Eric<\/td>\r\n<td>I Have Only One Itching Desire<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Moore, Matthew<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/moore-cohesion\/\">Cohesion<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Moran, Robert<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/moran-by-any-other-name\/\" target=\"_blank\" rel=\"noopener\">By Any Other Name<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Moran, Robert<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/moran-the-elegant-journey\/\">The Elegant Journey<\/a><\/td>\r\n<td>any<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Indeterminate<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Muhly, Nico<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/muhly-time-after-time\/\">Time After Time<\/a><\/td>\r\n<td>2<\/td>\r\n<td>3<\/td>\r\n<td>soprano sax, marimba, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Muhly, Nico<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/muhly-ta-and-clap\/\">Ta & Clap<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Myers, Aaron Jay<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/myers-skin\/\">Skin<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>tenor sax, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Naidoo, Shaun<\/td>\r\n<td>Sentient Weather<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Nishimura, Akira<\/td>\r\n<td>Ektal<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>3 marimbas, drums<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Nishimura, Akira<\/td>\r\n<td>Kala<\/td>\r\n<td>7 (solo + 6)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>solo marimba with percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Nitsch, Jason<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5809\">Casual Discussions<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>marimba, clarinet, piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Norgard, Per<\/td>\r\n<td>Echo Zones<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Norgard, Per<\/td>\r\n<td>Square and Round<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Nozny, Brian<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/nozny-sharps\/\" target=\"_blank\" rel=\"noopener\">Sharps<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ofaly, Alex<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5782\">The Mean Man's March<\/a><\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>xylo solo with marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ohana,\u00a0Maurice<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ohana-etudes-choregraphiques\/\">\u00c9tudes chor\u00e9graphiques<\/a><\/td>\r\n<td>4 or 6 (different versions)<\/td>\r\n<td>\u00a0<\/td>\r\n<td>percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ohana,\u00a0Maurice<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ohana-etudes-dinterpretation\/\">\u00c9tudes d'interpr\u00e9tation n\u00b0 11 et 12<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piano and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ohana,\u00a0Maurice<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ohana-miroir-de-celestine\/\">Miroir de C\u00e9lestine<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>harpichord and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ohana,\u00a0Maurice<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ohana-sibylle\/\">Sibylle<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>soprano and percussion with tape<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ohana,\u00a0Maurice<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ohana-signes\/\">Signes<\/a><\/td>\r\n<td>4<\/td>\r\n<td>7<\/td>\r\n<td>Flute, 2 sitars (in third tones and chromatic) (1 player), piano and 4 percussions<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Pape, Andy<\/td>\r\n<td>CaDance<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 standing drumsets<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Pawassar,\u00a0Rudiger<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5804\">Sculpture in Wood<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba quartet<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Pereira, Joe<\/td>\r\n<td>Facing the Mirror<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion with 4 channel tape<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Piazzola, Astor<\/td>\r\n<td>Tango Suite<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-djinn\/\">Djinn<\/a><\/td>\r\n<td>4<\/td>\r\n<td>4 perc + strings<\/td>\r\n<td>solo mar + 3perc \/ hp \/ str<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-drum-dances\/\">Drum Dances<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piano and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-fragment\/\">Fragment<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piano and vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-fragment-arr-fitzsimons\/\">Fragment, arr. Fitzsimons<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba and vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-happy-tachyons\/\">Happy Tachyons<\/a><\/td>\r\n<td>1 or 2<\/td>\r\n<td>2 or 3<\/td>\r\n<td>marimba\/vibraphone, piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-kyoto\/\">Kyoto<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>percussion ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-matres-dance\/\">Matre's Dance<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piano and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-nocturnes\/\">Noctures<\/a><\/td>\r\n<td>1 or 2<\/td>\r\n<td>5 or 6<\/td>\r\n<td>saxophone quartet and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/psathas-overture\/\">Overture<\/a><\/td>\r\n<td>4<\/td>\r\n<td>14<\/td>\r\n<td>4 percussion and brass<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Psathas,\u00a0John<\/td>\r\n<td>Spike<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>marimba\/vibraphone and piano<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Puts, Kevin<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5790\">And Legions Will Rise<\/a><\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>violin, clarinet, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-music-for-pieces-of-wood\/\">Music for Pieces of Wood<\/a><\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>5 pairs of claves<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td>Drumming<\/td>\r\n<td>9<\/td>\r\n<td>12 or 13<\/td>\r\n<td>Percussion Ensemble, female voices, piccolo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td>Drumming Part 1<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 pairs of bongos<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td>Six Marimbas<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>6 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td>Sextet<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion, 2 pianos, 2 synthsizers<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td>Nagoya Marimbas<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td>Typing Music<\/td>\r\n<td>7 or 9<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-music-for-mallet-instruments-voices-and-organ\/\">Music for Mallet Instruments, Voices, and Organ<\/a><\/td>\r\n<td>8<\/td>\r\n<td>11<\/td>\r\n<td>Percussion Ensemble with Electric Organ and three female voices<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-mallet-quartet\/\">Mallet Quartet<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-daniel-variations\/\">Daniel Variations<\/a><\/td>\r\n<td>6<\/td>\r\n<td>20<\/td>\r\n<td>2 Clarinets, 4 Pianos, 2 Violins, 1 Viola, 1 Cello, 4 Vocalists (SSTT), 6 percussionists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-music-for-18-musicians\/\">Music for 18 Musicians<\/a><\/td>\r\n<td>6<\/td>\r\n<td>18 or more<\/td>\r\n<td>4 pianos, 3 marimbas, 2 xylophones, vibraphone, maracas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-tehillim\/\">Tehillim<\/a><\/td>\r\n<td>6<\/td>\r\n<td>23<\/td>\r\n<td>4 Vocalists (hiS, 2 lyrS, A), 1 Flutist (doubling piccolo), 1 English Horn Player, 2 Clarinetists, 1 Oboist, 2 Electric Organists, 2 Violinists, 2 Violists, 2 Cellists, 6 Percussionists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-double-sextet\/\">Double Sextet<\/a><\/td>\r\n<td>2 or 1<\/td>\r\n<td>12 or 6<\/td>\r\n<td>Mixed Chamber<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Reich, Steve<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/reich-variations-for-vibes-pianos-and-strings\/\">Variations for Vibes, Pianos, and Strings<\/a><\/td>\r\n<td>4<\/td>\r\n<td>18<\/td>\r\n<td>2 pianos, 3 string quartets, 4 vibraphones<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Remington, Jacob<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/remington-prelude-to-paradise\/\" target=\"_blank\" rel=\"noopener\">Prelude to Paradise<\/a><\/td>\r\n<td>12<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Riley, Terry<\/td>\r\n<td>In C<\/td>\r\n<td>indeterminate<\/td>\r\n<td>indeterminate<\/td>\r\n<td>Any number of people<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rockmaker, Jody<\/td>\r\n<td>Tieco<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rogers, JF<\/td>\r\n<td>Once Removed<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rojahn,\u00a0Rudolf<\/td>\r\n<td>Somnambula<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>bass clarinet, marimba, and electronics<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rosauro, Ney<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5792\">Toccata and Divertimento<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>vibraphone and guitar or marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rouse, Christopher<\/td>\r\n<td>Ku-Ka Ilimoku<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rouse, Christopher<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5794\">Ogoun Badegris<\/a><\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rouse, Christopher<\/td>\r\n<td>Bonham<\/td>\r\n<td>8<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ruders, Poul<\/td>\r\n<td>Regime<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Russell, William<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/russell-three-dance-movements\/\" target=\"_blank\" rel=\"noopener\">Three Dance Movements<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Rzewski, Frederic<\/td>\r\n<td>Les Mouton de Panurge<\/td>\r\n<td>indeterminate<\/td>\r\n<td>indeterminate<\/td>\r\n<td>Any number of people<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Salkind-Pearl, Mischa<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/salkind-pearl-everything-at-once\/\">Everything at Once<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Salkind-Pearl, Mischa<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/salkind-pearl-the-botany-of-desire\/\">The Botany of Desire<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>Clarinet, vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sammut, Eric<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5808\">Zapping Trio<\/a><\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>bass clar, bass, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sejourne, Emmanuel<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/sejourne-soss-bala\/\" target=\"_blank\" rel=\"noopener\">Sosso-Bala<\/a><\/td>\r\n<td>8<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sejourne, Emmanuel<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/sejourne-venin\/\">Venin<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sejourne, Emmanuel<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/sejourne-vous-avez-du-feu\/\">Vous avez du Feu?<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>eight lighters<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sejourne, Emmanuel<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5795\">The Martian Tribes<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba and 3 bass drums<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sekhon, Baljinder<\/td>\r\n<td>Colored Windows, Tempered Rooms<\/td>\r\n<td>8<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sekhon, Baljinder<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5797\">Refuge<\/a><\/td>\r\n<td>7<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Scelsi, Giacinto<\/td>\r\n<td>I Riti: Ritual March<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Schimmel, Carl<\/td>\r\n<td>Serving Size 4 Bunnies<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Schimmel, Carl<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5776\">Snood the Poultron<\/a><\/td>\r\n<td>1 or 2<\/td>\r\n<td>2<\/td>\r\n<td>Percussion solo with accompaniment (kazoo, turkey gobbler)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Schnittke, Alfred<\/td>\r\n<td>Hymn No. 1<\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>cello, harp, timpani<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Schnittke, Alfred<\/td>\r\n<td>Quartet<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sheil,\u00a0Geoff<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/sheil-every-instrument-in-this-room\/\">Every Instrument in This Room<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>vibraphone, marimba, percussion, and electronics<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Simpson,\u00a0Steve<\/td>\r\n<td>Radioactive Octopus<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Marimba Quartet<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Silverman, Adam<\/td>\r\n<td>Quick Blood<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Silverman, Adam<\/td>\r\n<td>Gasoline Rainbow<\/td>\r\n<td>8<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Silverman, Adam<\/td>\r\n<td>Naked and On Fire<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Snider, Sarah Kirkland<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/snider-thread-and-fray\/\">Thread and Fray<\/a><\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>Bass clar, viola, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Soldiviero, Jared<\/td>\r\n<td>Perception Piece<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Soldiviero, Jared<\/td>\r\n<td>Palindromes<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Duo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Solomon, Samuel<\/td>\r\n<td>Quintet for Drums and Cymbals<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Solomon, Samuel<\/td>\r\n<td>Five Ensemble Etudes<\/td>\r\n<td>6 to 16<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Southam, Ann<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/southam-what-to-do-until-the-power-comes-back-on\/\">What to do until the power comes back on<\/a><\/td>\r\n<td>3 or more<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Indeterminate<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Stanley, Jane<\/td>\r\n<td>Midnight Meditation<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Stravinsky, Igor<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/stravinsky-lhistoire-du-soldat\/\">L'Histore du Soldat<\/a><\/td>\r\n<td>1<\/td>\r\n<td>7<\/td>\r\n<td>cl.\/bn\/cnt.\/tbn\/perc\/vn.\/db (with or without narrator, actors, dancers)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Steiner, Gita<\/td>\r\n<td>Quartet for Percussion<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Streber, Ryan<\/td>\r\n<td>Cold Pastoral<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Streber, Ryan<\/td>\r\n<td>Two for One<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 vibraphones<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Stout, Gordon<\/td>\r\n<td>Somewhere in Africa There's a Whirlwind<\/td>\r\n<td>\u00a02<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Stout, Gordon<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/stout-laruci-in-the-sky\/\">Laruci In The Sky<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Stout, Gordon<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/stout-skylark-orange-circles\/\">Skylark Orange Circles<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Stout, Gordon<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/stout-incoming-pearl-milk-tea\/\">Incoming (Pearl Milk Tea)<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba and drumset<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Takemitsu, Toru<\/td>\r\n<td>Rain Tree<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Takemitsu, Toru<\/td>\r\n<td>Cross Hatch<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>marimba, vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Takemitsu, Toru<\/td>\r\n<td>Seasons<\/td>\r\n<td>4 or 2 with tape<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Indeterminate<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Tenny, James<\/td>\r\n<td>Three Pieces for Drum Quartet<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Tenny, James<\/td>\r\n<td>Having Never Written A Note For Percussion<\/td>\r\n<td>solo or ensemble<\/td>\r\n<td>\u00a0<\/td>\r\n<td>indeterminate<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Thomas, Andrew<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/thomas-three-transformations\/\">Three Transformations<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Tompkins, Joe<\/td>\r\n<td>Trio<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Tosic, Vladimir<\/td>\r\n<td>Fission<\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>1 marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Tower, Joan<\/td>\r\n<td>Percussion Quartet<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Trevino, Ivan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/trevino-bloom\/\" target=\"_blank\" rel=\"noopener\">Bloom<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Trevino, Ivan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/trevino-into-the-air\/\">Into The Air<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Trevino, Ivan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/trevino-catching-shadows\/\">Catching Shadows<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Trevino, Ivan<\/td>\r\n<td><a href=\"https:\/\/www.bostonconservatory.edu\/toboggan\/denied?destination=node\/5791\">3\u00a0Riffs<\/a><\/td>\r\n<td>1<\/td>\r\n<td>4<\/td>\r\n<td>timpani and three cellos<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ueno, Ken<\/td>\r\n<td>...am...<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ueno, Ken<\/td>\r\n<td>Yellow 632<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>talking big birds<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ueno, Ken<\/td>\r\n<td>WATT<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>baritone saxophone, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Varese, Edgar<\/td>\r\n<td>Ionisation<\/td>\r\n<td>13<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Vinao,\u00a0Alejandro<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/vinao-estudios-de-frontera\/\">Estudios de Frontera<\/a><\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Vinao, Alejandro<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/vinao-arabesco-infinito\/\">Arabesco Infinito<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Marimba, vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Vivier, Claude<\/td>\r\n<td>Pulau Dewata<\/td>\r\n<td>indeterminate<\/td>\r\n<td>indeterminate<\/td>\r\n<td>Indeterminate ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Vores, Andy<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/vores-fabrication-10-itch\/\">Fabrication 10: Itch<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>bass clarinet, marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wallin, Rolf<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/wallin-stonewave\/\">Stonewave<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wahlund, Ben<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/wahlund-pegasus\/\" target=\"_blank\" rel=\"noopener\">Pegasus<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Snare solo plus trio<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Westlake,\u00a0Nigel<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/westlake-omphalo-centric-lecture-1984\/\">Omphalo Centric Lecture<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 marimbas<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Westlake,\u00a0Nigel<\/td>\r\n<td>Kalabash<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Westlake, Nigel<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/westlake-the-invisible-man\/\">The Invisible Man<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Whibley, Stephen<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/whibley-higuita\/\">Higuita!<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>1 marimba<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wolfe,\u00a0Julia<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/wolfe-dark-full-ride\/\">Dark Full Ride<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>4 drumsets<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Quartet For Percussion<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Prelude and Fugue<\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Divertimento<\/td>\r\n<td>5<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Ringing Changes<\/td>\r\n<td>10<\/td>\r\n<td>2<\/td>\r\n<td>Piano 4 hands with Percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Percussion Symphony<\/td>\r\n<td>22<\/td>\r\n<td>24<\/td>\r\n<td>Percussion Ensemble and 2 pianos<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Percussion Duo<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>piano and marimba\/vibraphone<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Spinoff<\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>congas, bass, violin<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Grand Union<\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>cello and drums<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>Bassoon Variations<\/td>\r\n<td>1<\/td>\r\n<td>3<\/td>\r\n<td>bassoon, harp, timpani<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Wuorinen, Charles<\/td>\r\n<td>New York Notes<\/td>\r\n<td>1 or 2<\/td>\r\n<td>6 or 7<\/td>\r\n<td>violin, cello, flute, clarinet, piano, percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Xenakis,\u00a0Iannis<\/td>\r\n<td>Okho<\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>3 djembes + bass drum<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Xenakis,\u00a0Iannis<\/td>\r\n<td>Pleadies<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Xenakis,\u00a0Iannis<\/td>\r\n<td>Persephassa<\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Xenakis,\u00a0Iannis<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/xenakis-dmaathen-for-oboe-and-percussion\/\">Dmaathan<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>oboe and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Xenakis,\u00a0Iannis<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/xenakis-komboi\/\">Komboi<\/a><\/td>\r\n<td>1<\/td>\r\n<td>2<\/td>\r\n<td>harpsichord and percussion<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Yim, Jay Alan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/yim-jam-karet\/\">Jam Karet<\/a><\/td>\r\n<td>2<\/td>\r\n<td>\u00a0<\/td>\r\n<td>2 prepared vibraphones<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Zappa, Frank<\/td>\r\n<td>Black Page<\/td>\r\n<td>drumset + ensemble<\/td>\r\n<td>indeterminate<\/td>\r\n<td>Drumset solo with ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Zeltsman, Nancy<\/td>\r\n<td>Woodcuts<\/td>\r\n<td>8<\/td>\r\n<td>11<\/td>\r\n<td>Solo Marimba, Percussion ensemble, 3 vocalists<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ziporyn, Evan<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/ziporyn-melody-competition\/\">Melody Competition<\/a><\/td>\r\n<td>6<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Zivkovic, Nebojsa<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/zivkovic-trio-per-uno\/\">Trio Per Uno<\/a><\/td>\r\n<td>3<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Zivkovic, Nebojsa<\/td>\r\n<td><a href=\"http:\/\/percdb.szsolomon.com\/zivkovic-uneven-souls\/\">Uneven Souls<\/a><\/td>\r\n<td>4<\/td>\r\n<td>\u00a0<\/td>\r\n<td>Percussion Ensemble<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n<!-- wp:paragraph -->\r\n<p><\/p>\r\n<!-- \/wp:paragraph 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