{"id":1013,"date":"2017-10-04T23:24:23","date_gmt":"2017-10-05T03:24:23","guid":{"rendered":"http:\/\/percdb.szsolomon.com\/?p=1013"},"modified":"2017-10-04T23:24:23","modified_gmt":"2017-10-05T03:24:23","slug":"montambault-stop-making-sense","status":"publish","type":"post","link":"http:\/\/percdb.szsolomon.com\/montambault-stop-making-sense\/","title":{"rendered":"Montambault \u2013 Stop Making Sense"},"content":{"rendered":"

Benoit Montambault \u2013 Stop Making Sense (2012)<\/p>\n

Instrumentation: \u25cf Marimba<\/p>\n

\u25cf Assorted metals
\n\u25cf Assorted electronics
\n\u25cf (See Video for additional guidance)<\/p>\n

Duration: 10 minutes Composer\u2019s Note:<\/p>\n

Stop Making Sense is the piece that helped me redefine my work as a composer and sound artist. It was written on the initiative of percussionist Galdric Subirana who was looking for a piece that would join dance and music in a novel way, a piece where dance and music would become one while each conserving their distinct identites. Around a modified marimba filled with nothing more than D flats a percussionist strikes a note. Its resonance is then cut off by the dancer. What follows is a game of didactics where the dancer force the percussionist to modify his approach to the instrument by taking over the physical space of said instrument. Stop wants to tell a story, that of two people living in independent worlds yet bound by a common physical reality, a reality that both enables and challenges communication.<\/p>\n

A true game of cat and mouse, Stop Making Sense is a hybrid where dance cannot truly retain its intended identiry and where music cannot, at any time, exist outside of dance.<\/p>\n

-Benoit Montambault<\/p>\n

Annotated by Joanna Chen<\/p>\n","protected":false},"excerpt":{"rendered":"

Benoit Montambault \u2013 Stop Making Sense (2012) Instrumentation: \u25cf Marimba \u25cf Assorted metals \u25cf Assorted electronics \u25cf (See Video for additional guidance) Duration: 10 minutes Composer\u2019s Note: Stop Making Sense is the piece that helped me redefine my work as a composer and sound artist. It was written on the initiative of percussionist Galdric Subirana […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[7,1],"tags":[],"_links":{"self":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1013"}],"collection":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/comments?post=1013"}],"version-history":[{"count":1,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1013\/revisions"}],"predecessor-version":[{"id":1014,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1013\/revisions\/1014"}],"wp:attachment":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/media?parent=1013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/categories?post=1013"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/tags?post=1013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}