{"id":1166,"date":"2021-05-24T01:00:43","date_gmt":"2021-05-24T05:00:43","guid":{"rendered":"http:\/\/percdb.szsolomon.com\/?p=1166"},"modified":"2021-05-24T01:00:43","modified_gmt":"2021-05-24T05:00:43","slug":"miura-otik-trio","status":"publish","type":"post","link":"http:\/\/percdb.szsolomon.com\/miura-otik-trio\/","title":{"rendered":"Miura — Otik Trio"},"content":{"rendered":"

Miura — <\/span>Otik Trio<\/span><\/i><\/p>\n

Category: Chamber Music<\/span><\/p>\n

Title: <\/span>Otik Trio (2004)<\/span><\/i><\/p>\n

Composer: Hiroya Miura (1975)<\/span><\/p>\n

Instrumentation:
\n<\/span>Marimba, Xylophone, Vibraphone<\/span><\/p>\n

3 percussionists<\/span><\/p>\n

 <\/p>\n

Description:<\/span><\/p>\n

Featuring pitched percussion, the rhythms, textures, and forward motion of the <\/span>Otik Trio<\/span><\/i> contrast greatly with Miura\u2019s first contribution (if <\/span>Puncture Me<\/span><\/i> showcases Miura\u2019s introspective side, then <\/span>Otik Trio<\/span><\/i> occurs behind thinner veils). Dizzying arpeggios, pulsations, and flipping beats are nested between moments of repose, avoiding any sense of predictability. Athleticism is truly tested by this piece. Aside from the impressive display of dexterity required to perform this piece, subtle dynamic gradation are to be fully exposed, saving full-throttle for when it proves to be most effective.<\/span><\/p>\n

Original description by Jeremy Podgursky
\n<\/span>Edited by Xin Yi Chong<\/span><\/p>\n

 <\/p>\n

Annotated by Xin Yi Chong<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Miura — Otik Trio Category: Chamber Music Title: Otik Trio (2004) Composer: Hiroya Miura (1975) Instrumentation: Marimba, Xylophone, Vibraphone 3 percussionists   Description: Featuring pitched percussion, the rhythms, textures, and forward motion of the Otik Trio contrast greatly with Miura\u2019s first contribution (if Puncture Me showcases Miura\u2019s introspective side, then Otik Trio occurs behind thinner […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[7,1],"tags":[],"_links":{"self":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1166"}],"collection":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/comments?post=1166"}],"version-history":[{"count":1,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1166\/revisions"}],"predecessor-version":[{"id":1167,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1166\/revisions\/1167"}],"wp:attachment":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/media?parent=1166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/categories?post=1166"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/tags?post=1166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}