{"id":1208,"date":"2021-06-03T00:18:12","date_gmt":"2021-06-03T04:18:12","guid":{"rendered":"http:\/\/percdb.szsolomon.com\/?p=1208"},"modified":"2021-06-03T00:18:12","modified_gmt":"2021-06-03T04:18:12","slug":"seo-v","status":"publish","type":"post","link":"http:\/\/percdb.szsolomon.com\/seo-v\/","title":{"rendered":"Seo &#8212; V"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">V (2015) &#8212; Juri Seo (1981)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Solo Vibraphone<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From the Composer:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">V is part of an ongoing series for vibraphone + x (in this case, x = 0). vi for piano and vibraphone, vii for harp and vibraphone, and vv for two vibraphones accompany this work in spirit. I am particularly interested in the instrument\u2019s long resonance that\u2014with some struggle and inconvenience\u2014can be manipulated to produce a composed decay. All five movements of v start with the same chord, but each has distinctive characteristics. The first movement\u2019s bipolar temperament is a reminiscence of Robert Schumann\u2019s frequent digressions in his piano works. The second is a cute dance movement in binary form. The third is inspired by the second movement of Beethoven\u2019s op. 81a, with its poignant expressions of loss and longing (for his patron Archduke Rudolf, not his lover). The fourth is a \u201cpetite\u201d play between \u201cwhite\u201d and \u201cblack\u201d keys. The last movement is a dodecaphonic tempo canon with some distorted flashbacks of preceding movements. V was written in August 2015 for Matthew Geiger.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Annotated by <a href=\"http:\/\/Nathanielholmanpercussion.com\">Nathaniel Holman<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>V (2015) &#8212; Juri Seo (1981) Solo Vibraphone From the Composer: \u201cV is part of an ongoing series for vibraphone + x (in this case, x = 0). vi for piano and vibraphone, vii for harp and vibraphone, and vv for two vibraphones accompany this work in spirit. I am particularly interested in the instrument\u2019s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1208"}],"collection":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/comments?post=1208"}],"version-history":[{"count":1,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1208\/revisions"}],"predecessor-version":[{"id":1209,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/1208\/revisions\/1209"}],"wp:attachment":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/media?parent=1208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/categories?post=1208"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/tags?post=1208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}