{"id":562,"date":"2016-01-14T14:04:58","date_gmt":"2016-01-14T19:04:58","guid":{"rendered":"http:\/\/szsolomon.com\/percdb\/?p=562"},"modified":"2016-01-15T09:40:35","modified_gmt":"2016-01-15T14:40:35","slug":"zivkovic-trio-per-uno","status":"publish","type":"post","link":"http:\/\/percdb.szsolomon.com\/zivkovic-trio-per-uno\/","title":{"rendered":"Zivkovic &#8211; Trio per Uno"},"content":{"rendered":"<div class=\"content\">\n<div class=\"field field-name-body field-type-text-with-summary field-label-hidden\">\n<div class=\"field-items\">\n<div class=\"field-item even\">\n<p><strong>Nebojsa Zivkovic (b.1962)<\/strong><\/p>\n<p><strong>Trio per Uno (1995\/1990)\u00a0<\/strong><\/p>\n<p>15 minutes<\/p>\n<p>3 Players<\/p>\n<p><strong>Instrumentation:<\/strong> Shared Bass Drum<\/p>\n<p>Player I: Bongos, 2 Gongs, Crotales<\/p>\n<p>Player II: Bongos, 2 Gongs, Vibraphone, Low Tom, High Tom, Snare Drum<\/p>\n<p>Player III: Bongos, 2 Gongs, Low Tom, High Tom, Snare Drum<\/p>\n<p><strong>Program Note:<\/strong> \u201cThree bodies, one soul\u201d inspired the structural and formal principles of Trio Per Uno. Surrounding a shared bass drum, the trio creates an exciting dialogue filled with energy. Beginning with a simple unison rhythm, the movement evolves into a ritualistic groove, which explores dramatic extremes in tempo, texture, and dynamics. Within this framework, the three performers are able to express themselves musically while always remaining one. An accomplished performer and composer, Nebojsa Jovan Zivkovic is hailed as one of the most unique and expressive percussion artists in the field. A native of Serbia, many of Zivkovic\u2019s compositions are inspired by folk music. -Taylor Ambrosio Wood<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nebojsa Zivkovic (b.1962) Trio per Uno (1995\/1990)\u00a0 15 minutes 3 Players Instrumentation: Shared Bass Drum Player I: Bongos, 2 Gongs, Crotales Player II: Bongos, 2 Gongs, Vibraphone, Low Tom, High Tom, Snare Drum Player III: Bongos, 2 Gongs, Low Tom, High Tom, Snare Drum Program Note: \u201cThree bodies, one soul\u201d inspired the structural and formal [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/562"}],"collection":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/comments?post=562"}],"version-history":[{"count":1,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/562\/revisions"}],"predecessor-version":[{"id":563,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/posts\/562\/revisions\/563"}],"wp:attachment":[{"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/media?parent=562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/categories?post=562"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/percdb.szsolomon.com\/wp-json\/wp\/v2\/tags?post=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}